THE ART OF PHOTOGRAPHIC BOOKMAKING:
Inspiration, Creation & Acquisition

A four-day online Symposium: Susan kae Grant with Mary Virginia Swanson
joined by Special Guests
Book Artists, Cig Harvey, Maureen Cummins, Ann Fessler, María Verónica San Martín; Book Designers and Publishers, Lewis Chaplin (Loose Joints) and Gianluca & Gianmarco Gamberini (L’Artiere Edizioni); Special Collection Librarian, Marieke Van Der Steenhoven (Bowdoin College); and Specialty Photographer Richard Klein.

DATES: Saturdays, May 10 - June 7, 2025 (no class on May 24)
11 am to 6 pm (US Eastern Daylight Time)

All sessions will be recorded and available to participants through September 7, 2025.


Are you an image maker or visual storyteller interested in bringing your photography and photo-related media to the book form? Or perhaps a bookmaker, educator, historian, curator, or collector looking to expand your knowledge of contemporary photobooks and handmade artists’ books?

In this four-day online symposium, Susan kae Grant and Mary Virginia Swanson will explore the many options available to artists when considering the book form, including small press, fine art press, self-published, and handmade artists’ books.

Eight distinguished international Special Guests will join us to share their collective knowledge of photobooks and the many layers of considerations involved in bringing a book to completion and on to its audience. Book artists, designers, publishers and collectors will share their studio practices, insights into production and marketing, and the role the visual book plays in educational initiatives and collecting strategies of libraries.

Susan kae Grant and Mary Virginia Swanson.

Cig Harvey - "Cake", Two Ponds Press, 2024

Maureen Cummins - “Ghost Diary”, Limited Edition Artist's Book, 2003

Chloe Sells - "Swamp", Gost Books, 2016

Carlos Saavedra, Sebastián Ramírez, MAFAPO - “MADRES TERRA”, Raya Editorial, 2021

Pacifico Silano - "I Wish I Never Saw the Sunshine", Loose Joints Publishing, 2021

Ann Fessler - “The Things He Gave Me and The Things I Took”, Limited Edition Artist's Book, 2024

Maria Veronica San Martin - “In Their Memory: Human Rights Violation in Chile. 1973-1990", Limited Edition Artist's Book, 2012

Carolle Bénitah - “Jamais je ne t’oublierai”, L'Artiere Edizioni, 2019

Throughout the symposium, we will explore topics that include the structure of the visual book; integrative book designs; methodologies for incorporating images and texts; examples of photobook mock-ups (maquettes) and alternative book forms; options for fabrication and collaborative studio production; and best practices for creating powerful marketing materials for promoting books to collectors and collections.

Participants will be continuously inspired and empowered to envision their own photobook, from concept to design to production, while gaining a deep understanding of the critical relationship between form and content.

Summary OVERVIEW

Each class day includes:

IN CONVERSATION

A joint presentation during which Susan kae Grant (SkG) and Mary Virginia Swanson (MVS) share and discuss page-turning videos as examples of books related to the day’s topics.

CLOSE UP VIEWS

Related to the day’s topics, Susan kae presents practical information to inform, inspire, and expand participants' knowledge as they envision their limited edition photobooks, photo-related media books, and artists’ books from concept to design to production.

SPECIAL GUEST PRESENTATIONS

Our presenters share their expertise and insights. Book artists discuss their creative and research practices; design and small press professionals shed light on the processes of photobook publishing; a special collections curator outlines how artists’ books are acquired and utilized in academic libraries; and a professional photographer illustrates techniques to convey the dimensional qualities of a book for broad promotional purposes.

Q&A Sessions: Related to the presentations.

Breaks: Two short breaks and a 45-minute lunch break.

Links Compilation: Links from each day’s presentations will be compiled for reference.

Week 1 - May 10

Inspiration & What's Possible: Structure of the Visual Book

11 am - 6 pm (US ET Online)

Introduction:
“Examining Options: Small Press, Self-published, and Limited Edition Handmade Artists’ Books - SkG & MVS

In Conversation:

“Innovative Photobooks Today” - SkG & MVS

Close-up Views:

"The Anatomy of the Book:
Key Elements and Options for Binding Structures"- SkG

Special Guest Artist:

Cig Harvey
“An Artist’s Journey into Bookmaking”

Week 2 - May 17

Visualizing Form & Content Through Research & Design

11 am - 6 pm (US ET Online)

Special Guest Designer:

Lewis Chaplin (Loose Joints Studio)
“Concepts through Design & Typography”

In Conversation:

“Creative Book Design” - SkG & MVS

Close-up Views:

“Experimentation & Intentionality with Image & Text” - SkG

Special Guest Artist:

Maureen Cummins
“Reframing History: The Archival Explorations of Maureen Cummins”

Week 3 - May 31

Experimentation, Mock-ups & Alternative Book Forms

11 am - 6 pm (US ET Online)

Close-up Views:

“Designing & Materializing the Mock-up” - SkG

Special Guest Artist:

Ann Fessler
“Undertold Stories: About Family — About History”

In Conversation:

“Alternative Book Forms” - SkG & MVS

Special Guest Artist:

María Verónica San Martín
“Reconstructing Memory and Resistance
Through Artist Books, Installation and Performance”

Week 4 - June 7

Pathways to Production, Collectors & Acquisition

11 am - 6 pm (US ET Online)

In Conversation:

“Artists in Collaborations with Production Studios & Small Presses” - SkG & MVS

Special Guest Publishers:

Gianluca & Gianmarco Gamberini (L’Artiere Edizione)
Vision and Artistry in the Realm of Independent Publishing”

Special Guest Librarian:

Marieke Van Der Steenhoven (Collections Education and Outreach - Bowdoin College)
“Missions, Collecting Strategies & Educational Initiatives”

Close-up Views:

“The Prospectus: Purpose, Design & Promotion” - SkG, MVS and Special Guest Photographer Richard Klein

Cost: $675 USD

Celine Marchbank - "A Stranger in My Mother's Kitchen, Dewi Lewis Publishing, 2022 (Designed by Loose Joints Studio)

María Verónica San Martín - "Dignidad", Artist's Book, Visual and Sound installation with Performance, 2018-ongoing

Samuel James - “Nightairs” - Fw: Books, 2023

Celine Marchbank - "A Stranger in My Mother's Kitchen, Dewi Lewis Publishing, 2022 (Designed by Loose Joints Studio)

María Verónica San Martín- "Dignidad", Artist's Book, Visual and Sound installation with Performance, 2018-ongoing

Samuel James - “Nightairs” - Fw: Books, 2023

SCHEDULE*

WEEK 1: INSPIRATION & WHAT'S POSSIBLE: STRUCTURE OF THE VISUAL BOOK

Date:

Saturday, May 10, from 11 am to 6 pm (US EDT)

Introduction to Course & Faculty

“Examining Options: Small Press, Self-published, and Limited Edition Handmade Artists’ Books with Photography and Photo-Related Media” - Susan kae Grant (SkG) & Mary Virginia Swanson (MVS)

In Conversation: “Innovative Photobooks Today”
SkG & MVS share and discuss examples of books related to the topics of the day

Q&A with SkG & MVS

Close-up Views: "The Anatomy of the Book: Key Elements and Options for Binding Structures" - SkG
A thorough knowledge of the basic parts of a book, along with considerations for choosing an appropriate binding structure, is essential for understanding the visual book.

From accordion to pamphlet and cover to colophon, Susan kae will define and share examples of various binding styles and identify the key elements that constitute an artist’s book. By carefully considering these options, participants can begin to create books that are visually captivating and structurally sound.

Q&A with SkG

Special Guest Artist: Cig Harvey (See bio here)
“An Artist’s Journey into Bookmaking”

In this conversation, Cig Harvey offers insight into her creative process as both an artist and bookmaker. She will share her beginnings with handmade books and small press editions, expanding on "Blue Violet" and her latest release "Cake". Her process, often inspired by journaling, silence, and intuitive mind mapping, fosters a deep connection between imagery and narrative.

Throughout her career, Cig has embraced diverse book formats, from portfolios to fine press editions, thoughtfully weaving together color, form, sequence, and text. In this discussion, we’ll explore how Cig’s approach to bookmaking has become a vital part of her broader creative practice, revealing her ability to transform the ordinary into the extraordinary.

Q&A with Cig Harvey

WEEK 2: VISUALIZING FORM & CONTENT THROUGH RESEARCH & DESIGN

Date:

Saturday, May 17, from 11 am to 6 pm (US EDT)

Welcome, Introduction

Special Guest Designer: Lewis Chaplin (Loose Joints Studio) (See bio here)
“Concepts through Design & Typography”

In this presentation, co-founder Lewis Chaplin will highlight their collaborative approach to design and production. He will explore the intricate relationship between design and storytelling in photobooks, offering case studies from various projects to provide insights into editorial and creative processes. By discussing design decisions, such as typography, layout, and material choices, he will emphasize the role of thoughtful design in enhancing a book’s narrative and emotional impact.

Through an in-depth look at book design, Lewis will demonstrate how design elements evolve within each project. Participants will gain a deeper understanding of how collaboration with artists and the practical considerations of materials inform design choices. This session will demystify the bookmaking process, encouraging participants to embrace the creative possibilities that emerge when design and storytelling intersect.

Q&A with Lewis Chaplin

In Conversation: “Creative Book Design”
SkG & MVS share and discuss examples of books related to the topics of the day

Close-up Views: “Experimentation & Intentionality with Image & Text” - Susan kae Grant
When image and text interact, a creative language emerges, transforming an ordinary book page into a powerful visual experience for the reader.

In this presentation, Susan kae will share a variety of methods, from traditional to experimental, for physically incorporating images and text into an artist’s book. She will emphasize the importance of selecting methods that balance form and content to effectively communicate ideas and evoke emotion.

Q&A with Susan kae Grant

Special Guest Artist: Maureen Cummins (See bio here)
“Reframing History: the Archival Explorations of Maureen Cummins”

In this presentation, Maureen Cummins will describe how her practice, which began with searching around in flea markets, eventually led to her being an artist-in-residence in major research archives. Her work involves a rich and often unconscious relationship with images, materials, and voices from the past.

Maureen will page through a selection of artist’s books from her career, using them to illustrate aspects of her practice, such as working with experimental materials, entering the archive, and strategies for drawing out themes. She will also discuss how to develop a practice of recognizing and recording one’s own creative ideas.

Q&A with Maureen Cummins

Wrap Up &: Recap of first two classes

No Class on May 24 due to US Holiday

WEEK 3: EXPERIMENTATION, MOCK-UPS & ALTERNATIVE BOOK FORMS

Date:

Saturday, May 31, from 11 am to 6 pm (US EDT)

Welcome, Introduction

Close-up Views:
“Designing & Materializing the Mock-up” - Susan kae Grant
Before delving into the structure, space, and rhythm of a book, we start by experimenting, designing, and testing materials using a mock-up—also known as a prototype, maquette, or book dummy. This initial phase is crucial for visualizing and refining the design.

In this presentation, Susan will share examples of photobook mock-ups, illustrating their role in the creative process. She will discuss their purpose in exploring layout, material choices, and binding options, and offer insights into best practices for creating them.

Special Guest Artist: Ann Fessler (See bio here)
“Undertold Stories: About Family — About History”

Ann Fessler combines images and text to address the gap between recorded history — the history we learn from authoritative sources — and that same history as understood by those who lived it. By collecting, disseminating, and preserving the stories of ordinary people’s lives she hopes to contribute to a more expansive and inclusive understanding of history.

In this session, Ann will discuss her current book in-progress, "The Things He Gave Me and The Things I Took", a photobook/memoir about her adoptive father, in the context of her earlier artist’s books. She will share concepts/structures from time-based mediums like film that have inspired her, and influenced her thinking about books.

Q&A with Ann Fessler

In Conversation: “Alternative Book Forms”
SkG & MVS share and discuss examples of books related to the topics of the day

Q&A with SkG & MVS

Special Guest Artist: María Verónica San Martín (See bio here)
“Reconstructing Memory and Resistance Through Artist Books, Installation and Performance”

In this presentation, Chilean-born, New York-based artist and educator María San Martín will address the role of artists’ books and printmaking as civic, historical, and political tools for reconstructing narratives and fostering social change. María will discuss her multidisciplinary trilogy composed of the following: "Moving Memorials", "Dignidad", and "The Javelin Project". María will further explain the use of mobile artists’ books, sculptures, archives, and installations to highlight issues of memory, human rights violations, and resistance in contemporary Chile and Latin America.

This lecture will also include a digital live performance, illustrating the interplay between a book’s form and its narrative power. As part of her series "Dignidad", María activates a kinetic metal artist’s book, transforming the act of reading and the physical elements of the book into a dynamic choreography.

Q&A with María Verónica San Martín

WEEK 4: PATHWAYS TO PRODUCTION, COLLECTORS & MARKETING

Date:

June 7, 2025, from 11 am to 6 pm (US EDT)

Welcome, Introduction

In Conversation: “Artists in Collaborations with Production Studios & Small Presses”
SkG & MVS share and discuss examples of books related to the topics of the day

Special Guest Publishers: Gianluca & Gianmarco Gamberini (L’Artiere Edizioni) (See bio here)
“Vision and Artistry in the Realm of Independent Publishing”

In this presentation, Gianluca and Gianmarco Gamberini of L'Artiere Edizioni will discuss their core philosophies and collaboration strategies that guide their independent publishing endeavors. They will share insights into the principles and considerations shaping their choices of projects, collaborators, and partnerships. Notable publications from L’Artiere will be highlighted, offering case studies and a glimpse into the memorable experiences involved in the creation of these books.

Additionally, Gianluca and Gianmarco will provide an overview of the current independent publishing landscape, examining contemporary trends, challenges, and how L'Artiere positions itself within the global context.

Q&A with Gianluca & Gianmarco Gamberini

Special Guest Librarian: Marieke Van Der Steenhoven (See bio here)
(Collections Education and Outreach, Bowdoin College)
“Missions, Collecting Strategies & Educational Initiatives”

In this presentation, Marieke Van Der Steenhoven will discuss her experience developing a vibrant and diverse collection of contemporary bookworks within an academic library as well as the innovative ways she activates these collections. Through student engagement, exhibitions, and public programs, Marieke utilizes artists' books, rare books, manuscripts, and archival collections as dynamic teaching tools.

In addition, Marieke will share strategies for targeted acquisitions and overall collecting approaches for academic libraries and explore how institutional collections support research, creative inquiry, and public engagement.

Q&A with Marieke Van Der Steenhoven

Close-up Views: “The Prospectus: Purpose, Design & Promotion” - Susan kae Grant
A well-designed, visually compelling book prospectus—with captivating photographs, whether printed or digital—that conveys the style and materiality of the book can significantly enhance awareness and interest among special collection curators, librarians, and private collectors.

In this presentation, Susan kae will discuss the purpose and best practices for creating a prospectus and will share examples to illustrate how to effectively announce the availability of an artist’s book to these audiences. Mary Virginia will contribute with valuable insights into securing consignments with independent bookstores.

Richard Klein will join to emphasize the importance of documenting books to convey form and materiality. He will demonstrate techniques for depicting books as three-dimensional objects, using natural light to highlight texture and volume.

Richard will also cover methods for creating both still images and page-turning videos with minimal equipment, including tips on post-production.

Q&A with SkG, MVS & Richard Klein

Summary, Thank you and Goodbyes

* This schedule is subject to change at any time. If a guest presenter must cancel unexpectedly, we will confirmm participation of another industry expert with a similar level of expertise to join us. Susan kae Grant and Mary Virginia Swanson have the right to update, alter, and/or include topics that may benefit participants based on recent research or relevant industry changes.

  • We strongly recommend registering for this class by Saturday, May 3, 2025 to allow time to receive instructions on preparing for these online sessions.

  • All sessions will be recorded and available for unlimited access to registered participants through Sunday, September 7, 2025 at Midnight (US EDT).

Cost: $675 USD

Maciejka Art - “Hoja Santa” Dewi Lewis Publishing, 2023

Maureen Cummins - “Cherished Beloved And Most Wanted”, Limited Edition Artist's Book, 2009

Celine Marchbank - "A Stranger in My Mother's Kitchen, Dewi Lewis Publishing, 2022 (Designed by Loose Joints Studio)

Eva Voutsaki - “Traces Within”, Stanley James Press, Self Published, 2020

Morgan Ashcom - “Open”, Gnomic Book, 2022

Pamela Landau Connolly - “Fly in Amber”, Limited Edition Artist's Book, 2021

Ann Fessler - “The Things He Gave Me and The Things I Took”, Limited Edition Artist's Book, 2024

Amy Friend - "Stardust”- L'Artiere Edizioni, 2017

Info Session

On December, 3 we hosted an information session with Susan kae Grant and Mary Virginia Swanson. If you were unable to attend and would like to view a recording of this session please email: selma@laluzworkshops.com.

Terms and Conditions

Please read our Terms, Conditions and Cancellation Policies here. If you have any questions about this Educational Series, please reach out to: selma@laluzworkshops.com.

Scholarship

We are offering five full scholarships for this Symposium. Learn more details HERE.

Companion Workshop Coming Fall 2025

INSPIRED DESIGN:
Fabricating The Handmade Photographic Artist's Book

A four-day online workshop with Susan kae Grant


DATES: Saturdays, Sept. 6, Sept 13, Sept 20 & Sept 27 2025,
11 am to 6 pm (US Eastern Daylight Time)

Follow up Session: October 25, 11 am - 2 pm (US Eastern Daylight Time)

Building on the practical information and inspiration gained during the symposium, we are offering a 4-day online workshop and follow-up session with Susan kae Grant to learn how to physically create your own photographic artist's book or mock-up, incorporating images and text.

 

Drawing from memory, personal insight, and intuition, Susan kae will guide participants through the process of designing and constructing books that symbolically unify imagery, text, and materiality. Participants will engage in guided writing prompts paired with their images to further inspire their creative process.

The course includes lectures, discussions, and hands-on demonstrations, focusing on the technical execution of three binding structures. You will learn step-by-step how to assemble a handmade photographic artist's book using traditional bookbinding methods while discovering how to edit, sequence, and integrate your own photographs and text to create a compelling visual narrative.

Those who have attended this Symposium may apply to this workshop which is limited to 12 participants. More details coming soon.

 
 

A sampling of tools and materials utilized in bookmaking

 

Photo Credits:
"Ghost Diary" by Maureen Cummins © Nancy Donskoj
Portrait of Susan kae Grant and Mary Virginia Swanson © Richard Klein. Captions for books on the table in front of SkG + MVS, clockwise from top: 1) Yu-Ming Chiu, “Apart”, Artist’s Book (2010), Amy Friend, “Stardust”, L’Artiere Edizioni (2017). 3) Book stack: Top: Julia Borissova, “Looking for Dimitry” Artist’s Book (2020); Middle: César Rodriguez, “Hoja Dorada”, KWY Edicìones (2024), Bottom: César Rodriquez, “Montaña roja”, KWY Edicìones (2022).